RYB (red-yellow-blue) is a standard set of colors used in subtractive color mixing. By combining any two of these primary colors, a third color is created (the secondary colors: green, orange, or purple); by mixing equal amounts of all three, black is born. Jerry Seguin’s 2015 book 100 XIV / 100 RYB uses this color theory as a starting point, working within–and against–its confines to examine the ways in which masculinity (in particular, queer masculinity) is represented or imagined. Photographs of naked or near-naked men, alone or with another, are printed in this limited palette, the colors never mixing to create their secondary counterparts. Seguin isolates these moments–the photographs are often snaps of men in action (walking on a beach, running on a soccer field, giving a blow job)–and rigidly layers them on top of abstractions (also in this limited palette), exposing the awkwardness of representation and the pleasure in tension at the same time.