Norwegian artist Sveinn Fannar Johannsson’s compilation of photographs could not be more aptly titled. Running the gamut from small to massive holes, deep to shallow, natural to manmade, and empty to partially filled, this body of work documents holes formed in various landscapes as a result of various processes — geologic transformation, natural disasters, and construction projects. The shots range from close-up to aerial views, all formatted in the same orientation at the top half of the page and at roughly the same thumbnail size. Through the sheer abundance of images with a focused theme of holes, and metaphorically, collapse, disjuncture, displacement, Johannsson manages to create a book that is both jarring and powerful, and yet somehow still meditative.