This offering by Dan Walsh, loosely bound, stresses the importance of the spread of the pages. Each spread is transformed into an installation view of an exhibition of anonymous Minimalist artworks. A photograph on the title page of the book insinuates a three dimensional model of the fictional room. The reader wanders through a Sol LeWitt-esque foyer, complete with primary colors and controlled chaos. Attention is drawn to absurd Edison-esque bulbs (which often appear in Walsh’s books) protruding from the ceiling and the swirling floors. The rest of the book is a slow revolution around the room, where we see several rudimentary grid works. Transparencies separate each spread of pages, reminding the viewer that Walsh has hand-colored each page after they’ve gone through the photogravure process. Enclosed in a golden hardcover with an engraved lightbulb shedding light onto a rectangle, viewing considers the simultaneous logic and irrationality of physical space