Originally published to accompany the movie “Windows,” this book of the same name intercuts exterior views of closed windows with sequences of images taken from popular print media. The framing devices within the found media reference comic book panels, however the density of images and text evoke the cacophony of consumer culture, rather than an ordered narrative. Set against this barrage of loud headlines, tacky products, and semi-pornographic advertising, the windows and the lives taking place behind them seem mysteriously quiet and calm. There exists, however, an ominous sense of their complicity or even participation in the chaos of the world around them, heightened by the final, upside down image of the Twin Towers exploding.