A paper mask set into the first page of the book allows the reader to proceed through this gorgeous maze of collaged images with either a male or female point of view. Each following page features die-cut elements which can be folded inwards and outwards in a fluid montage of visual references to gender and power.

“Labyrinth utilizes a version of the codex form to structure a pictoral narrative… the chronological progression is repeatedly arrested by expansive page openings, each of which reveals, through the orchestration of images, and variable display, different physical and mental worlds. In addition, there are shadows and currents below the surface that evoke the intricacies of a poem, rather than the linearity of a tale.”
–Clive Phillpot