Jeanne Dunning does the showing in this book; it is filled with full color, full page reproductions of her uncannily fleshed and fleshy photographs. The telling she leaves to three writers from three different disciplines: film criticism (Tania Modleski), art history (Hollis Clayton), and fiction (Leslie Dick). Asked specifically not to write about the work but rather to respond to it, these writers who share with Dunning an abiding interest in psychoanalytic theory and feminist theory, produced personal narratives that are as provocative as the images themselves and perfectly matched to them in their sensual tenor. The chapters, Inebriate of Blood, Flaws and Slime are set off by pages of blank, increasingly deep flesh colored paper.